The A-HA! Moment That Got Me Writing Again

by Sarah Ann Loreth via Pinterest

I read a lot of articles and blog posts about writing craft. Yes, it's an avoidance tactic, but it's a useful one. I read through how-to lists, top-ten advice lists, plot-development spreadsheets, character-development worksheets, and countless others of the like. So, when I stumbled upon a how-to book with a free download, I had no qualms about browsing through it. It was all very familiar. The first chapter ended with a series of exercises and I skimmed over them with a deep sigh. I really didn't feel like answering these questions. Ah well, at the very least it would keep me away from the t.v. (for awhile).

Something interesting happened over the course of answering the questions though, something unexpected. As I looked more carefully at each exercise, I noticed that the language used was a little different from what I was used to reading in writing how-to's. The first question was easy and innocuous:
   

What is the source of your novel idea, and what is the idea?

This I answered with little effort.
The next question seemed just as easy and unobtrusive as the first:

What is your intention toward the idea?

As I sat, with pen poised above the page,  I realized I didn't understand the question. What did they mean, intention? I scanned back through the chapter and figured out that all they meant is that my intention toward the idea must be to write a novel about it. Simple. But the word tripped me up, and this got me thinking. Actually thinking about the questions that I had had every intention of breezing through in a foolish attempt to trick myself into believing I was doing something thoughtful and productive. But now, my juices were flowing.

What is your attitude toward the intention?

What the hell kind of book is this? What kind of language is this, to be used for writing exercises? It sounds more like some kind of dime-store psycho-babble self-help fodder. Gah! 

RESISTANCE. I was only on the the third question and already I wanted to give up because it was too hard. Too indirect. I wanted to work on my story, not my thoughts about my story! So I skimmed over each question again and realized that they were all like these: forcing me think about the why of my story rather than the how. I know myself well enough to be very aware that my greatest flaw is laziness. I took a good look at my resistance to this questionnaire and knew that completing it would be a lot more work than I'd bargained for. And that's when I knew. I had to go on; above, under, and all around the resistance that was holding me back. Because this time, it wasn't just laziness. I really didn't want to think this deeply about my WIP, which scared me. What was I afraid of? 

There were 8 questions for this first chapter. The first 3 above and the next 5 below:

• Do you believe your attitude toward the intention is strong, clear, and meaningful? If so, why?
• What is your purpose in writing this novel?
• Does your purpose statement include the words "to prove"?
• Do you honestly believe your statement of purpose will point the direction you must take in writing the novel?
• Are you qualified by personal experience to write this novel? If not, are you willing to do the required research?

Ugh.

But one of them  in particular really tripped me up. #5: What is my purpose in writing this novel? I had struggled with this in the past. All my life, in fact. I'd never bothered to write because I believed I had nothing to say. I eventually started writing A BIRD'S EYE VIEW anyway, because I knew I couldn't say I'd tried to be a writer unless I wrote something. And that's when I discovered that this is what I was afraid of. That my story was empty of meaning, it had no purpose, no impact, it had nothing to offer, nothing to say.

I hated question #5. My immediate response was: because I want to, because I feel like it (so there!). But anyone who knows me can hear the lie in my words. I don't want to write, I never feel like writing, I hate writing! So what was the real answer? What was my purpose here? Why do I keep trying? I  wrote a three-page-long rambling, nearly incoherent response to #5 that finally coalesced into an answer. My a-ha moment.

Oh. My. God.
I  do have something to say.
I have learned something over the course of my life. Something I need to share. 
I could tell you in only a few short sentences. But then it would be trite and obvious, as most truths are too deeply familiar to ever really be surprising. 
So instead, I will show you. I need to show you what I've learned.

That is my purpose in writing this novel. 

Woot!!
So now, I'm writing again, and it's so clear. Not easy, no, never that. But I understand what I'm doing, and why. I know now, clearly, what must be there in every chapter, every character, in the words and between the lines. Because I have a theme, people! I have Something To Say.

I guess you never really know where answering a few questions with thoughtfulness and honesty will take you. ;)

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

PS: The book: Structuring Your Novel by Robert Meredith and John Fitzgerald

When All Else Fails...Study

I've been making good progress on my WIP drafting by hand (who'd have thought!?) and using the computer for outlining and note-keeping only.

"Writing" by J. Paxon Reyes

But here I am - stalled. Again. I just don't feel like writing the next chapter. 

I have it all planned out, so...what's the problem? Am I burned out (ha!), blocked, bored? Wait, is this next chapter boring? If so, why write it, because if it's too boring to write, it will be way too boring to read, right? Or am I just making excuses to skip it? Do these scenes need to happen? I think so; skipping it feels wrong. Or am I just being stubborn and sticking to my outline with an OCD inspired reflex? DO I need to write it?

I don't know. I'm stumped. Gah! Welcome to the inside of my brain, friends.

Momentum: gone. Thinking about my WIP makes me want to take a nap.



So, I've decided to study pacing and plot progression by doing a chapter-by-chapter analysis of a book I really enjoyed reading (Blood Red Road) and comparing it against my outline. I know some of you (all you, admit it) are thinking avoidance tactic! and perhaps you're right. But if I'm not writing, I want to at least be thinking of writing and trying to find ways out of this lull. 

So there.

I mean, really, what else can I do? Any ideas? Do you wanna read my outline and tell me whether or not I need to write this next chapter?

I didn't think so. 

I'll let you know if this helps me work it out. ;)

PS: What do you do when/if you aren't sure if what you're writing needs to be there, or is it just a block?....jeez...